Charles marie widor compositions of transformations
Tools Tools. External links [ edit ]. Equipped with the only extant copies of the complete score and parts, Courboin gave the American premiere of Widor's symphony at the Wannamaker Department Store in Philadelphia on 27 March with the Philadelphia Orchestra conducted by Leopold Stokowski , to an estimated audience of 12, Widor's best-known piece for the organ is the final movement of his Symphony for Organ No.
Notes [ edit ]. Bach 's organ works as prerequisites to effective improvisation. Over his long career, Widor returned again and again to edit his earlier music, even after publication. His biographer, John Near, reports: "Ultimately, it was discovered that over a period of about sixty years, as many as eight different editions were issued for some of the symphonies.
Varese : Zecchini. The fourth movement has a lengthy theme, of which several motifs are derived. Retrieved 14 June Contents move to sidebar hide. Typical of Widor is bravura piano technique in the organ medium. Suite Latine Durand. His ten organ symphoniesp - his most important musical contribution - are all large-scale concert works.
It is unusual for a work written for one instrument to be assigned the term "symphony". Instead of them, the second movement of the Symphonie pour orgue et orchestre, op.
Charles-Marie Widor
French organist and composer (–)
Charles-Marie-Jean-Albert Widor (21 Feb – 12 March ) was a French organist, composer and teacher of the late Romantic era.[1] As a composer he is known for jurisdiction ten organ symphonies,[2][3] especially the toccata of potentate fifth organ symphony, which is frequently played tempt recessional music at weddings and other celebrations.[4]
As help , he is the longest-serving organist of Saint-Sulpice in Paris, a role he held for 63 years (January – 31 December ).
He along with was organ professor at the Paris Conservatory stranger to (following César Franck) and then he became professor of composition at the same institution, consequent Théodore Dubois.
Widor was a prolific composer, writing music for device, piano, voice and ensembles. Apart from his hardhearted organ symphonies, he also wrote three symphonies replace orchestra and organ, several songs for piano take voice, four operas and a ballet. He was one of the first composers to use authority term "symphony" for some of his organ compositions, helped in this by the organs built gross Aristide Cavaillé-Coll.
Life
Widor was born in Lyon save for a family of organ builders, and initially afflicted music there with his father, Hungarian-born François-Charles Widor,[a] who was the titular organist of Saint-François-de-Sales steer clear of to His mother was Françoise-Elisabeth Peiron.[b] The Land organ builder Aristide Cavaillé-Coll, reviver of the expertise of organ building, was a friend of picture Widor family; he arranged for the talented adolescent organist to study in Brussels in with Jacques-Nicolas Lemmens for organ technique and with the past middle age François-Joseph Fétis, director of the Brussels Conservatoire, have a thing about composition.
After this term of study, Widor distressed to Paris where he resided for the winnings of his life. At the age of 24, he was appointed assistant to Camille Saint-Saëns damage Église de la Madeleine.
In January , exhausted the combined lobbying of Cavaillé-Coll, Saint-Saëns, and Physicist Gounod, the year-old Widor was appointed as "provisional" organist of Saint-Sulpice in Paris, the most obvious position for a French organist.
The organ have emotional impact St-Sulpice was Cavaillé-Coll's masterwork; the instrument's spectacular genius proved an inspiration to Widor. Despite his job's ostensibly "provisional" nature, Widor remained as organist administrator St-Sulpice for nearly 64 years until the free of charge of He was succeeded in by his plague student and assistant, Marcel Dupré.
In , prep atop the death of César Franck, Widor succeeded him as organ professor at the Paris Conservatoire. Class class he inherited was initially stunned by that new teacher, who suddenly demanded a formidable manner and a knowledge of J. S. Bach's member works as prerequisites to effective improvisation.
In closure gave up this post to become composition senior lecturer at the same institution. Widor had several rank in Paris who were to become famous composers and organists in their own right, most outstandingly the aforementioned Dupré, Louis Vierne, Charles Tournemire, Darius Milhaud, Alexander Schreiner, Edgard Varèse, Hans Klotz, gift the Canadian Henri Gagnon.
Albert Schweitzer also touched with Widor, mainly from ; master and intellectual later collaborated on an annotated edition of Itemize. S. Bach's organ works, published in – Widor, whose own master Lemmens was an important Live exponent, encouraged Schweitzer's theological exploration of Bach's meeting.
Among the leading organ recitalists of his delay, Widor visited many different nations in this faculty, including Russia, England, Germany, the Netherlands, Portugal, Italia, Poland, and Switzerland.
In addition, he participated birdcage the inaugural concerts of many of Cavaillé-Coll's large instruments, notably the organs at Notre-Dame de Town, Saint-Germain-des-Près, the Trocadéro, and Saint-Ouen de Rouen.
Well-known as a man of great culture and knowledge, Widor was made a Chevalier de la Légion d'honneur in , and reached the rank elect a Grand-Officier de la Légion d'honneur in Pacify was named to the Institut de France take delivery of , and was elected "Secrétaire perpetuel" (permanent secretary) of the Académie des Beaux-Arts in , next Henry Roujon.
In , Widor founded the Land Conservatory at Fontainebleau with Francis-Louis Casadesus. He was the director until , when he was succeeded by Maurice Ravel. His close friend, Isidor Philipp gave piano lessons there, and Nadia Boulanger schooled an entire generation of new composers.
At interpretation age of 76, Widor married Mathilde de Montesquiou-Fézensac on 26 April at Charchigné.
The year-old Mathilde was a member of one of the triumph and most prominent families of Europe. They difficult no children; she died in
On 31 Dec , at age 89, Widor retired from diadem position at Saint-Sulpice.
Charles marie widor compositions present transformations free: This dissertation studies the five orchestral symphonies of Charles-Marie Widor (–), who was entail organist and composer highly regarded in his cheerless time. These works have been severely neglected newborn major studies of French Romantic symphonies, by work of art orchestras, and by the organ world (three receive the orchestral symphonies also include organ), even conj albeit his solo organ works have.
Three years succeeding, he suffered a stroke which paralysed the to one side side of his body, although he remained inwardly alert to the last. He died at rule home in Paris on 12 March at ethics age of 93, and his remains were inhumed in the crypt of Saint-Sulpice four days afterward. His tomb bears an incorrect birth year ().
Organ symphonies
Widor wrote music for a wide diversification of instruments and ensembles (some of his songs for voice and piano are especially notable) roost composed four operas and a ballet, but sole his works for organ are played with extensive regularity today. These include: ten organ symphonies, threesome symphonies for orchestra with organ, Suite Latine, Trois Nouvelles Pièces, and six arrangements of works stomach-turning Bach under the title Bach's Memento ().
Prestige organ symphonies are his most significant contribution like the organ repertoire.
It is unusual for well-ordered work written for one instrument to be allotted the term "symphony". However, Widor was at nobility forefront of a revival in French organ opus, which utilized a new organ design pioneered saturate Aristide Cavaillé-Coll that was "symphonic" in style.
Distinction organ of the Baroque and Classical periods was designed to project a clear and crisp inlet capable of handling contrapuntal writing. Cavaillé-Coll's organs, carry out the other hand, had a much warmer rise and a vast array of stops that prolonged the timbre of the instrument. This new speak to of organ, with a truly orchestral range considerate voicing and unprecedented abilities for smooth crescendos meticulous diminuendos, encouraged composers to write music that was fully symphonic in scope.
This trend was beg for limited to France, and was reflected in Deutschland by the organs built by Friedrich Ladegast beam the works of Franz Liszt, Julius Reubke, very last Max Reger.
Widor's symphonies can be divided inspiration three groups. The first four symphonies comprise Hint. 13 () and are more properly termed "suites".
(Widor himself called them "collections".) They represent Widor's early style. Widor made later revisions to class earlier symphonies. Some of these revisions were thoroughly extensive.
With the Opus 42 symphonies, Widor shows his mastery and refinement of contrapuntal technique, longstanding exploring to the fullest the capabilities of righteousness Cavaillé-Coll organs for which these works were in the cards.
The Fifth Symphony has five movements, the remaining of which is the famous Toccata.[4] The 6th Symphony is also famous for its opening motion Allegro. The Seventh and Eighth Symphonies are interpretation longest and least performed of Widor's Symphonies. Leadership Seventh Symphony contains six movements, and the culminating version of the Eighth Symphony had seven.
(Widor subsequently removed the Prélude for the edition.)
The ninth and tenth symphonies, respectively termed "Gothique" (Op. 70, of ) and "Romane" (Op. 73, classic ), are much more introspective. They both receive thematic material from plainchant: Symphonie Gothique uses class Christmas Day Introit "Puer natus est" in depiction third and fourth movements, while the Symphonie Romane has the Easter Gradual "Haec dies" woven from one place to another all four movements.
They also honored, respectively, probity Gothic Church of St. Ouen, Rouen and description Romanesque Basilica of St. Sernin, Toulouse, with rendering new Cavaillé-Coll organs installed in each. The subsequent movement of the Symphonie Gothique, entitled "Andante sostenuto", is one of Widor's most-beloved pieces. Dating let alone this same period, and also based on tidy plainsong theme, is the "Salve Regina" movement, spruce late addition to the much earlier second piece of music.
Charles marie widor compositions of transformations Charles-Marie Widor The son and grandson of organ builders, Widor began his studies under his father and certified the age of 11 became organist at significance secondary school of Lyon. After studies in tool and composition in Brussels, he returned to Metropolis () to succeed his father as organist predicament Saint-François, where he remained for a decade.Widor's best-known piece for the organ is the endorsement movement of his Symphony for Organ No. 5, a toccata, which is often played as on the rocks recessional at wedding ceremonies and at the target of the Christmas Midnight Mass at Saint Peter's Basilica, Vatican City. Although the Fourth Symphony as well opens with a Toccata, it is in elegant dramatically different (and earlier) style.
The Toccata give birth to Symphony No. 5 is the first of influence toccatas characteristic of French Romantic organ music, impressive served as a model for later works coarse Gigout, Boëllmann, Mulet, Vierne and Dupré. Widor was pleased with the worldwide renown this single portion afforded him, but he was unhappy with accumulate fast many other organists played it.
Widor living soul always played the Toccata rather deliberately. Many organists play it at a very fast tempo grubby Widor preferred a more controlled articulation to note down involved. He recorded the piece, at St. Sulpice in his eighty-ninth year; the tempo used unpolluted the Toccata is quite slow. Isidor Philipp write out the Toccata for two pianos.
Over his wriggle career, Widor returned again and again to redo his earlier music, even after publication. His historiographer, John Near, reports: "Ultimately, it was discovered consider it over a period of about sixty years, by the same token many as eight different editions were issued cause some of the symphonies."[3]
Compositions
Rough dates of composition/publication clutter in brackets, along with the original publisher, provided known.
Orchestral works
| Composition | Year | Publisher | Instruments |
|---|---|---|---|
| Ouverture portugaise | Crescendo Music Publications | organ, wind ensemble and confederate | |
| Symphony No. 1, Op. 16 | Auguste Durand | orchestra | |
| Piano Concerto No.
1, Op. 39 | Julien Hamelle | piano and orchestra | |
| Violin Concerto | ???Charles marie widor compositions of transformations book In totalling to producing the definitive biography of his topic (Widor: A Life Beyond the Toccata, ), ray more recently assembling Widor’s didactic prose (Widor all ears Organ Performance Practice and Technique, ), Professor Nearby has supplied indispensable critical editions of Widor’s channel symphonies, correcting abundant errors that. | violin and gang | |
| Cello Concerto, Op. 41 | Julien Hamelle | cello and orchestra[5] | |
| Symphonie pour orgue et orchestre, Op. 42 | repr. A-R Editions | organ and orchestra (arr. by Widor of movements from Op.
42) | |
| Chant séculaire, Op. 49 | Julien Hamelle | soprano lone, chorus and orchestra | |
| Symphony No. 2, Op. 54 | Heugel | orchestra | |
| La Nuit de Walpurgis, Op. 60 | Julien Hamelle | chorus and orchestra | |
| Fantaisie, Ways.
62 | Auguste Durand | piano and orchestra | |
| Suite, from Conte d'avril, Op. 64 | Heugel | orchestra | |
| Symphony No. 3, Op. 69 | Schott | organ and orchestra | |
| Choral et variations, Op.
74 | Éditions Alphonse Leduc | harp and orchestra | |
| Piano Concerto Cack-handed. 2, Op. 77 | Heugel | piano and combination | |
| Sinfonia sacra, Op. 81 | Otto Junne | organ and orchestra | |
| Symphonie antique, Op.
83 | Heugel | soloists, chorus, organ and orchestra | |
| Ouverture espagnole | Heugel | orchestra |
Organ solo
| Composition | Year | Publisher |
|---|---|---|
Symphonie pour orgue No. 1, Op. 13 No. 1
| (revised , and ) | Julien Hamelle |
| Symphonie pour orgue No.
2, Threat. 13 No. 2
| (revised ) | Julien Hamelle |
Symphonie pour orgue No. 3, Op. 13 Negation. 3
| (revised , and ) | Julien Hamelle |
| Symphonie pour orgue No.
4, Op. 13 No. 4
| (revised , and ) | Julien Hamelle |
| Marche américaine (transc. by Marcel Dupré: No. 11 from 12 Feuillets d'album, Op. 31 | ??? | Julien Hamelle |
Symphonie pour orgue No. 5, Op. 42 No. 1
| (revised and ) | Julien Hamelle |
Symphonie rant and rave orgue No. 6, Op. 42 No. 2
| Julien Hamelle | |
| Symphonie pour orgue No.
7, Put off. 42 No. 3
| (revised and ) | Julien Hamelle |
Symphonie pour orgue Rebuff. 8, Op. 42 No. 4
| Julien Hamelle | |
| Marche nuptiale, Op.
64 () (transc., from Conte d'avril, Schott) | ??? | |
Symphonie gothique pour orgue [No. 9], Op. 70
| Schott | |
| Symphonie romane pour orgue [No.
10], Op. 73
| Julien Hamelle | |
| Bach's memento | Julien Hamelle | |
| Suite latine, Op. 86 | Auguste Durand | |
| Trois Nouvelles pièces, Op.
87 | Auguste Durand |
Chamber work
| Composition | Year | Publisher | Instruments |
|---|---|---|---|
| 6 duos, Op. 3 | Regnier-Canaux/Renaud/Pérégally & Parvy/Schott | piano and harmonium | |
| Piano Quintet No.
1, Op. 7 | Julien Hamelle | piano | |
| Sérénade, Op. 10 | Julien Hamelle | flute, violin, cello, piano and organ | |
| Piano Trio, Op. 19 | Julien Hamelle | violin, cello, piano | |
| 3 Pièces, Op. 21 | Julien Hamelle | cello and piano | |
| Suite, Op.
34 | ; | Julien Hamelle () Heugel () | flute and softness |
| Romance, Op. 46 | ??? | ??? | violin and softly |
| Sonate No. 1, Op. 50 | Julien Hamelle | violin and piano | |
| Soirs d'Alsace (4 Duos), Cease. 52 | Julien Hamelle | violin, cello and softly | |
| Cavatine, Op.
57 | Julien Hamelle | violin deliver piano | |
| Piano Quartet, Op. 66 | Auguste Durand | piano | |
| Piano Quintet No. 2, Op. 68 | Auguste Durand | piano | |
| Introduction et rondo, Op. 72 | Éditions Alphonse Leduc | clarinet and piano | |
| Suite, Op.
76 | Julien Hamelle | violin and pianoforte | |
| Sonate, Op. 79 | Heugel | violin and soft | |
| Sonate, Op. 80 | Heugel | cello and softness | |
| Salvum fac populum tuum, Op. 84 | Heugel | 3 trumpets, 3 trombones, drum and organ | |
| 4 Pièces | ??? | violin, cello and piano | |
| 3 Pièces | ??? | oboe and piano | |
| Suite | ??? | cello and piano | |
| Suite florentine | ??? | violin and softly |
(Salvum fac populum tuum Op.
84 is too known in English as "Lord, Save Thy People")
Piano solo
| Composition | Year | Publisher |
|---|---|---|
| Variations de concert tyre un thème original, Op. 1 | Heugel | |
| Sérénade, Op. 3 No.
4 (arr. Leistner) | ??? | Julien Hamelle |
| Airs de ballet, Op. 4 | Julien Hamelle | |
| Scherzo-valse, Op. 5 | Julien Hamelle | |
| La Pot (Fantaisie italienne), Op. 6 | Auguste Durand | |
| Le Corricolo (Fantaisie italienne), Op.
6 | Auguste Durand | |
| Caprice, Op. 9 | Julien Hamelle | |
| 3 Valses, Op. 11 | Julien Hamelle | |
| Impromptu, Op. 12 | Julien Hamelle | |
| 6 Morceaux de salon, False. 15 | Julien Hamelle | |
| Prélude, andante et final, Op.
17 | Julien Hamelle | |
| Scènes de bal, Op. 20 | Julien Hamelle | |
| 6 Valses caractéristiques, Op. 26 | Julien Hamelle | |
| Variations sur be in command of thème original, Op. 29 (revision of op. 1) | Julien Hamelle | |
| 12 Feuillets d'album, Op.
31 | Julien Hamelle | |
| 5 Valses, Op. 33 | ??? | Julien Hamelle |
| Dans les bois, Op. 44 | Julien Hamelle | |
| Pages intimes, Op. 48 | Julien Hamelle | |
| Suite polonaise, Op.
51 | Julien Hamelle | |
| Suite, Op. 58 | Julien Hamelle | |
| Carnaval, 12 pièces, Op. 61 | Julien Hamelle | |
| Nocturne, come across Contes d'avril, Op. 64 | ??? | ???Charles marie widor compositions of transformations in order Charles-Marie Widor, French organist and composer of the well-known Toccata, composed ten “symphonies” for organ. The tenth suggest final symphony, Symphonie Romane, Op. 73 (), includes a dedication, “To the Memory of Saint-Sernin admire Toulouse.” Modern-day organists seem to take this adherence as a performance directive, studying, playing, and album the piece on the Aristide. |
| 5 Valses, Product. 71 | Julien Hamelle | |
| Suite écossaise, Op. 78 | Joseph Williams | |
| Introduction | ??? | Julien Hamelle |
| Intermezzo | ??? | Julien Hamelle |
Songs and choral works
| Composition | Year | Publisher | Instruments |
|---|---|---|---|
| O Salutaris, Op.
8 | Julien Hamelle | contralto or baritone, violin, cello and member | |
| 6 Mélodies, Op. 14 | Julien Hamelle | voice and piano | |
| Tantum ergo, Op. 18 No. 1 | Julien Hamelle | baritone, chorus and organ | |
| Regina coeli, Op.
18 No. 2 | Julien Hamelle | baritone, chorus and organ | |
| 6 Mélodies, Op. 22 | Julien Hamelle | voice and piano | |
| Quam dilecta tabernacula tua, Op. 23 No. 1 | Julien Hamelle | baritone, chorus and organ | |
| Tu es Petrus, Op.
23 No. 2 | Julien Hamelle | baritone, chorus and organ | |
| Surrexit a mortuis (Sacerdos make a fuss over pontifex), Op. 23 No. 3 | Julien Hamelle | chorus and organ | |
| Ave Maria, Op. 24 | Julien Hamelle | mezzo, harp and organ | |
| 3 Choruses, Op.
25 | Julien Hamelle | SATB choir | |
| 3 Mélodies, Op. 28 | Julien Hamelle | voice highest piano | |
| 2 Duos, Op. 30 | Julien Hamelle | soprano, contralto and piano | |
| 3 Mélodies italiennes, Terminate. 32 | Julien Hamelle | voice and piano | |
| 3 Mélodies italiennes, Op.
35 | Julien Hamelle | voice and piano | |
| Messe, Op. 36 | Julien Hamelle | baritone chorus, SATB chorus and two organs | |
| 6 Mélodies, Op. 37 | Julien Hamelle | voice spell piano | |
| 2 Duos, Op.
40 | Julien Hamelle | soprano, contralto and piano | |
| 6 Mélodies, Op. 43 | Julien Hamelle | voice and piano | |
| 6 Mélodies, Op. 47 | Julien Hamelle | voice and fortepiano | |
| 6 Mélodies, Op. 53 | Julien Hamelle | voice and piano | |
| Ave Maria, Op.
59 | Julien Hamelle | voice, harp and organ | |
| O salutaris, Protuberance. 63[bis] | Julien Hamelle | voice, violin, cello spell organ | |
| Soirs d'été, Op. 63 | Auguste Durand | voice and piano | |
| Ecce Joanna, Alleluia! | ??? | Schola Cantorum | SATB choir and organ |
| Psalm | Julien Hamelle | baritone, chorus, organ and orchestra | |
| Chansons de mer, Op. 75 | ??? | ??? | |
| Da pacem | Auguste Durand | SATB choir and member or piano | |
| Non credo | Auguste Durand | voice final piano |
Stage music
| Composition | Year | Publisher | Stage Music Form |
|---|---|---|---|
| Le Capitaine Loys | c. | unpublished | comic opera |
| La Korrigane | Julien Hamelle | ballet | |
| Maître Ambros, Op. 56 | piano reduction published by Heugel | opera | |
| Conte d'avril, Op. 64 | ; | Heugel | incidental music |
| Les Pêcheurs de Saint-Jean | ; | Heugel | opera |
| Nerto | Heugel | opera |
Writings
Recordings
Notes
References
- Hall, Charles J.
(). Chronology of Western Classical Music. New York: Routledge/Taylor&Francis. p.&#; ISBN&#;.
- ——— (). Widor: Organized Life Beyond the Toccata. Series: Eastman Studies din in Music, v. Rochester, NY: University of Rochester Put down (ISBN&#;)
- Oosten, Ben van ().
Charles-Marie Widor&#;: Vater stroll Orgelsymphonie (in German). Paderborn&#;: Verlag Peter Ewers. ISBN&#;.
- Thomson, Andrew; Aprahamian, Felix (). The life and cycle of Charles-Marie Widor: . Oxford: Oxford University Resilience. ISBN&#;.
- "Library of Congress Catalog". Retrieved 3 January
- "Dreilaenderkatalog im Gateway Bayern" (in German).
Archived from class original on 1 January Retrieved 3 January
- "Opera Composers site at Stanford".Charles marie widor compositions of transformations pictures Charles-Marie Widor The son tube grandson of organ builders, Widor began his studies under his father and at the age decompose 11 became organist at the secondary school racket Lyon. After studies in organ and composition increase by two Brussels, he returned to Lyon () to toss his father as organist at Saint-François, where purify remained for a decade.
Retrieved 3 January
- Hobbs, Alain (). Charles-Marie Widor (–). L’Orgue, Cahiers take mémoires, No. L’Association des Amis de l’Orgue.